Guide

Guide

Ultimate Guide to Guitar Pickups An Introduction

Have you ever noticed that if you pluck the string close to the bridge the note will sound bright and twangy, whereas if you pick right down by the neck you’ll hear a softer, rounder tone? Similarly, if you place a pickup near the bridge of the guitar it will sound sharper and brighter compared to one that’s placed near the neck. This is why the majority of guitars have more than one pickup: so you can select different sounds from the full and warm to the thin and snappy.

 

The simplest way to think of a pickup is as if were a microphone for an electric guitar. A guitar pickup is a magnet that senses the vibrations of your strings, then converts them into an electrical signal that can be amplified, thus making noise! A pickup’s magnet is usually made with a core material such as alnico or ferrite, then wrapped with coils of copper wire, but if you start changing these properties, i.e. the core material or the number of coils, you can attain different sounds!

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WHAT IS A SINGLE COIL PICKUP?

Single coils (like you might find on a Fender Telecaster or Stratocaster) have a clear, twangy sound, and they tend to sound really great through a clean, un-distorted amp setting. This type of single coil pickup is made by wrapping wire around six ‘slug’ pole pieces (which are held in place by flatwork to create a bobbin). A cover is usually placed over the pickup to protect the wire. But single coils have a drawback: you’ll notice a bit of background buzz which is just part and parcel of the single coil experience. Some players swear by this excess noise, as it evokes a vintage sound. Others want to get rid of it, and simply enjoy the pristine single coil sound minus the hum. Various noiseless single coils are available from companies like Fender, DiMarzio, and Seymour Duncan. Single coils are great for country, blues, indie and alternative styles.

WHAT IS A HUMBUCKER?

The idea behind humbuckers is to use two separate pickup coils, each wound in a different direction, over a central magnet. The hum is cancelled out by the two different coil directions (hence the name ‘hum-bucker’), and the overall tone is generally thicker, louder, warmer and fuller than single coils. Humbuckers are great for heavier styles like classic rock, hard rock and metal, and they can add some toughness and raunch to blues too. And the softer, smoother tone of humbuckers makes them great for jazz as well, especially if you use a humbucker in the neck position on a big hollow-body guitar. Gibson guitars are closely associated with the humbucker as their iconic models, such as the Les Paul, SG, and ES-335, all use them. Bare Knuckle, Fishman, EMG, Seymour Duncan and more all make humbuckers ranging from vintage-style, to high-gain metal monsters.

 

In some cases, you’ll see single coils and humbuckers in the same guitar. Popular configurations include a humbucker in the bridge position with single coils in the middle and neck spots, humbuckers in the bridge and neck with a single in the middle, or a single coil in the bridge position of a Telecaster with a humbucker in the neck position.

Humbuckers vs. Single Coils

There are two main types of pickups: single coils and humbuckers. Let’s have a look at each, and what they do, and then go into a little more detail.

Single Coils

How they work: Insulated wire is wrapped around six individual magnets. When the steel guitar string is plucked, the magnetic field is disturbed, and this change is captured by the wire and sent to the amplifier.

 

How they sound: Clear and detailed: snappy, twangy, bell-like, jangly.

Humbuckers

How they work: A humbucker is made up of two coils instead of one, each with their magnets going in different directions (one with north ‘up’ and the other with north ‘down’). When connected together, the characteristic single coil hum is cancelled.

 

How they sound: Full, thick, ‘hot,’ loud, smooth.

Lipstick Pickups are a type of single coil pickup first introduced by Danelectro in the 1950s. They differ from other pickups in that the coil wrapped magnet is covered in tape and then inserted into a tubular metal casing. Lipstick pickups produce a distinctive jangly sound most often associated with 'surf' rock or 'rockabilly' music. Seymour Duncan produce an excellent range of modern Lipsticks.

FAQ's

PicKup Qustions

Active vs. Passive PICKUPS

A passive pickup is the most common kind (to the point where people rarely even use the term ‘passive pickup’ unless they’re comparing it to an active pickup: they simply say ‘pickup’). An active pickup is usually wound much weaker than a passive pickup, but its signal is amplified from within the pickup itself, often via an internal 9V battery. There are several advantages: the output is usually more powerful, with greater sustain, tonal consistency and strength of signal regardless of cable/chain length. Active pickups are available in humbucker and single coil versions, and they’re both very quiet. Companies like EMG and Seymour Duncan offer a wealth of active humbucker options that are great for heavier styes of music, notably brandished by some of the biggest names in modern rock and metal. It’s generally very difficult to install active and passive pickups in the same guitar, so usually you’ll find one kind or the other, not both.

Active Pickups

How they work: Built like a ‘regular’ pickup but additional electronics (powered by a battery) are used to enhance the sound before it leaves the guitar.

How they sound: Very low noise; crisp; full; sustaining; ‘hi-fi’; sometimes compressed/squished. The extra power means the sound will sound good no matter how long your cable is.

Why you’d want them: For playing in environments that might otherwise cause a lot of interference and noise; for when you’re using a very long cable; or because you like the tone. Especially great for very clean or very distorted sounds.

Passive Pickups

How they work: All onboard sound-shaping is handled by parts that don’t require additional power.

 

How they sound: Organic, smooth, natural, ‘vintage.’ The sound will grow darker and more muffled when you use (very) long cables.

 

Why you’d want them: If you want a more natural, organic sound. Less processed, plenty of dynamics, responsive to your playing style regardless of what it is!

Types of Pickup Magnets

Whether you choose single coil or humbucker, active or passive, the size, type and configuration of magnet/s used in your pickup all have a big influence on the sound that the pickup produces, as does the type of wire: how thick it is, how it’s insulated, how it’s wound around the bobbins, how many turns of wire.

All of these factors influence the sound of a pickup, but one of the easiest to quantify is the magnet type. There are a few magnets that are typically used in pickups, and by knowing a little bit about them you can more easily figure out which one might work for the sound you’re going for. Let’s take a look:

  • Alnico III– The ‘weakest’ of the magnets used in pickups because it has no cobalt. But I guess it’d be confusing to just call it ‘Alni.’ It has the lowest magnetic pull, which means the strings are less influenced by the pickup’s magnetic pull, and this makes it a popular choice for neck pickups. It’s a little more ‘confident’ in its tone compared to Alnico II, although both exhibit a similar ‘softness.’ Many players like to balance an Alnico III neck pickup against an Alnico II in the bridge.
  • Alnico II– Associated with the original PAF humbucker, and it’s still used today in a great number of pickups. The tone is relatively soft and clear, often described as sweet, with a slight rounding off of the more brittle treble frequencies. It can sound very musical and mellifluous with a clean tone, and rather ’singing’ with overdrive. If you’re running a hotter, more distorted tone you may find that Alnico II humbuckers tend to provide excellent note separation for complex chords.
  • Alnico V– These usually sound hotter and more ‘edgy’ than their Alnico II and III counterparts. They’re great at more aggressive tones and in situations where you need a little more ‘unity’ in your chords: notes may knit together a little more tightly when you’re chording through heavy distortion with an Alnico V pickup. It’s also a little warmer in the midrange, which makes it great for lead guitar.
  • Alnico VIII– Possibly the least common magnet type, but many players consider it to be an undiscovered gem. It gives you the power of a ceramic magnet but with the warmth and harmonics of an Alnico V, and is a great way of preserving some of the woodiness of your guitar tone while still hitting your amp with plenty of output.
  • Ceramic– Usually characterised as more ‘modern,’ with a tighter low end, more ‘cut’ and higher output compared to Alnico magnets. You can usually bet that a ceramic-loaded guitar will sound pretty powerful, maybe with a little more bold midrange, especially in the upper mids. Some early ceramic pickups sounded rather flat and pinched, but as pickup companies further explored the capabilities of the magnets they discovered how to really get the most out of the tone.

What's A Split Coil / Coil Tap?

Many players confuse ‘coil split’ and ‘coil tap,’ using the terms interchangeably, but they’re actually quite different.

  • Coil Split– A coil split involves a humbucker pickup whose wiring lets you essentially switch one coil off, thereby turning it into a single coil. Many players like having the tonal flexibility of having single coil and humbucker tones available in the same guitar. Unless you’re buying an intentionally vintage-styled pickup, most pickups these days come with four conductor wiring as stock. That usually entails four separate wires (a ‘start’ and ‘end’ for each pickup coil), plus a ground wire. You can have your guitar wired so you can turn off one coil via a push-pull switch built into a volume control, or you can use a separate toggle switch, or (depending on the type of switch you’re using) special custom wiring. You will get single coil hum when using single coil mode, but not humbucker mode.
  • Coil Tap– A coil tap is different: it involves a single coil pickup which is made with an extra wire coming off it to give you two different levels of output. The full output and a lower ‘tapped’ output. Again you can use a push-pull knob, a toggle switch or special wiring to engage the tapped mode. The benefit here is that you can have a ‘full-power’ sound for solos and huge riffs, then flip to tapped mode to reduce the output, distortion and volume for quieter moments when you need to drift into the background a bit.

ACOUSTIC GUITAR PICKUPS

Amplifying an acoustic guitar can be tricky. Part of what makes an acoustic guitar great – perhaps the most major part, really – is the resonance that occurs within the body itself. But the most popular type of pickup for acoustic guitars is the piezo element, which lives underneath the bridge saddle and translates the vibration of the strings through the bridge into amplifiable sound. But this process gives you a distinctive harsh ‘quack’ tone which you then need to either live with or eliminate. Acoustic guitars often contain different types of preamps that allow you to thicken/smoothen the otherwise synthetic effect of the piezo pickup.

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